Yesterday at Comic Con, I was following the tweets coming out of the Community panel. Community is a smart, irreverent tv comedy set at a community college (with very questionable academic credentials). The clever writing and pop culture in-jokes meant it attracted only a niche audience. It’s never had high ratings, but has a very engaged, social-media savvy viewership. With low ratings, every season the show has been threatened with cancellation. And this year, it actually was cancelled by NBC, only to be later (and kind of miraculously) picked up for another season by Yahoo Screen.
To help keep the show running for five seasons despite the low ratings, the show engaged in some very overt product placement with Subway. Subway featured heavily in an episode in Season Three where the story had A MAN AGREEING TO LEGALLY CHANGE HIS NAME TO SUBWAY to “collectively show the humanity of business owners” and win over the public. It was a hilarious episode, that made fun of corporate sponsorship and big companies hurting the little guy while itself being hugely overt product placement. The humor was still very much in line with what Community was known for, so it was a great fit. In season five, Subway again featured in the story (as the villain) as they buy the college in an attempt to turn it into a “Sandwich University.”
Now, fans could have been unhappy about Community “selling out” but they actually embraced this move and actively supported the business. Subway has done a lot of placements with television shows, and they’ve been really smart about it. With Community, Subway entered into the agreement understanding the show, who the fans were, and were happy to play along and be in on the joke. And because Community was struggling with lower ratings, the fans appreciated the advertising support from the company to keep the show on the air.
As Hunger Games fans, we’re familiar with Subway’s partnership last year during Catching Fire. Tying in a restaurant chain with the Hunger Games is a tough fit, but awkward as it was, I gave it a pass. Yes, it was silly to see commercials with Katniss & Peeta on the flaming chariot with Subway talking about fiery sriracha sandwiches, but they did at least try to tie in some charitable efforts to help with hunger. That helped. It was still odd, but I understand the modern movie marketing need to have some of these type of deals. If you wanted to go to Subway, see the Katniss standee and ask for a Peeta cup, you could.
Now we move on to the first major “partnership” for Mockingjay Part 1 with Samsung. A week ago, it was announced that Samsung would be launching an app on their most expensive phones and tablets with exclusive Mockingjay content. Which is lame if you don’t have the most expensive Samsung phones and tablets, but that part, again, didn’t get me too heated because once the app is in the hands of millions of people, everything will end up on the internet about a minute after they are released. Have your silly exclusive on a couple stills for that one minute, Samsung. You’re creating a block in distribution, but fans can subvert that easily enough.
What fans really do care about are the big, meaty, content releases, like trailer releases. So the offensive aspect of this partnership was how it affected the long awaited trailer release. We all pretty much assumed the trailer would release at Comic Con, though we were hoping it would be a repeat of last year. With a fabulous Hall H panel and the debuting of the trailer on a huge screen for maximum impact. Seems Hall H was not to be this year, so instead Lionsgate chose to sell Samsung the trailer to display on their tablets at either their very Capitol-stylized Hard Rock Hotel near SDCC or over the weekend at their “store within a store” Samsung Galaxy Experience areas at select Best Buys. So for about 3 days, Samsung is holding on to this trailer and keeping it from most fans.
Yes, Samsung decided that with this co-branding they would force people to go and touch/use their products to see the trailer. Samsung could still have gotten advertising exposure for an online trailer debut (and maybe they still will) with a Samsung Galaxy ad before the trailer, or a logo skin around the media player for the release on Lionsgate’s featured online distribution method. They could have done that, and not pissed off the vast majority of fans. Yet, they decided to disrupt the online trailer release and create a whole Capitol-esque privileged class of those with the means to buy into their system and see it early versus those in the Districts who either don’t have one of those fancy Best Buys near them in America or the rest of the world. Or they could be like me and just really not want to experience the trailer release on a tablet with some Samsung/Best Buy employee breathing over their shoulder. That is not the “Samsung Experience” I want.
The huge box office for the Hunger Games films proves that the movies don’t need these sponsorship deals to be financially viable. This fact also explains the fan anger towards Samsung, while Community fans embraced Subway. Subway’s support of Community helped fans keep the show they loved on air and alternatively Samsung has CREATED A BARRIER to the thing we love. And I don’t care how cute you think Peeta’s bakery looked in those pictures at SDCC. I’m sure you would rather have seen the trailer today.
Unfortunately for us, Lionsgate has now discovered this new way of making even more money out of the Hunger Games franchise, so I fear a repeat of this scenario again. Maybe they’ll go with a different brand next time and have some other hoops you have to jump through for the trailer, but I’m sadly doubting it will be the fan-friendly-online-for-everyone-at-once release next year. The money’s too tempting, and they’re betting fans will forgive yet again.
Other people may be more forgiving than me. The trailer will be online Monday, and maybe its awesomeness will help us forget about the weekend before. For me, I know I won’t be buying anything with Samsung on it for a long time.
Let’s hope the other Mockingjay partnerships can actually enhance the fan experience.
Did you hear the news about SATURDAY, JULY 26TH? It’s a big, big, big day, as our Effie would say.
Catching Fire makes its world television premiere at 9pm ET on EPIX!
Ok, ok, don’t yell at me! I know it’s not THE NEWS that everyone is waiting to hear. And it doesn’t mean much if you don’t get the EPIX channel (Though there is a 14 day Free Trial).
But that’s the news we’ve got. And there are some sweet prizes available to go along with it. So if you’re sitting and stewing waiting for other news, you can check them out.
The Hunger Games: Catching Fire EPIX Hawaiian Sweepstakes. You can enter once a day now through August 10th for a chance to win a trip for two to the Island of O’ahu, where they filmed a lot of the Catching Fire arena scenes. So enter, because as harrowing as the arena was, the scenery was beautiful.
There’s also a #CatchingFireOnEPIX Photo-A-Day Sweepstakes where you can compete in daily challenges on Instagram for a chance to win a $100 prize pack from The Hunger Games: Catching Fire. Visit EPIX on Instagram for more details.
And then, throughout the BIG DAY, July 26th, EPIX is doing trivia on its social media and EPIX.com for more prizes.
Then, to cap off the day on the 26th, EPIX is doing a double feature of The Hunger Games at 6:30pm ET followed by the Catching Fire premiere at 9pm.
Best of luck and enjoy the show.
Our latest guest post comes from the hilariously tag-named Caesar’s Scrunchy, who has a few awesome points about the relationship between Katniss and Peeta (with visuals!)
You know you’re desperate for more “Mockingjay” action when you’re willing to do a school writing assignment in the summertime, which wasn’t assigned and will never be graded! But we’ve got to do something to pass the time waiting for the next propo, right?
So I’ve done a “compare and contrast” assignment just like in school, where we take two different things – two poems, two books, two films, etc. – and see what is different and what is similar about them. These assignments aren’t always fun, but when we do them, we can learn a lot more about each one by looking more closely at them. And it can be especially fun if you compare “The Hunger Games” and “Catching Fire” movies (because what else are we going to do
besides watch these two fave movies, amiright?!) The books have these parallels as well, but that REALLY feels like a school assignment, and doing it this way, I got to watch the movies again as “research.”
In some cases, the exact opposite from what happened in HG happened in CF (I noted those with the arrows). I used to think the first two books were a bit similar, but the more I worked on this, I appreciated how hard the filmmakers worked to give us an amazing number of little details that created great symmetry between the two movies. Or, to quote Haymitch, “Genius!” When you look at the comparisons, I hope you agree.
If you like this, feel free to watch the movies again (as if anyone needs an invitation?) and see if you can find more contrasts and comparisons. I wonder what would happen if we added Gale to the mix? Or compared Seneca Crane vs. Plutarch? Or HG Buttercup vs. CF Buttercup? J
PS – I own none of the images here, they are just for illustration purposes to show each point. AND: this is the first thing I’ve ever written for VictorsVillage.com, and I hope you like it.
COMPARE AND CONTRAST: THE HUNGER GAMES AND CATCHING FIRE
THE BALANCE BETWEEN THEM
As a Hunger Games fan are you feeling neglected? Left to roam the pasture alone? Well, maybe it’s because after the massive success of Catching Fire, Mockingjay is being treated as a cash cow? Yes, it seems the Mockingjay goes moo.
No, I haven’t completely lost my mind. I was just listening in to the Lionsgate quarterly earnings conference call today and I started thinking about how this could possibly be playing a role in the lack of promotion. There were a few tidbits learned from the call, like the new mobile game that will be launched, the Hunger Games museum exhibition in 2015, and confirmation that some lucky people in Cannes did actually see Mockingjay Part 1 footage, but mostly it was about other topics (and so I didn’t care). And these three tidbits are of minor interest to me as a fan anyway. I’m primarily here for the movies, and the promotion of the movies. The promotion of the movies is really fun too, but unfortunately this go round has been extremely lacking up to this point.
Indulge me in my silly theory for a moment. For Lionsgate, the fact that the Hunger Games franchise has become their cash cow is great. A cash cow is fantastic thing for a business to have. It’s a concept designed by a business consulting firm ages ago and is now basically a part of every Intro to Strategy course. A cash cow has high market share but is operating in a mature industry with low growth. The idea is modeled after a dairy cow – once you have it on your farm, you just leave it to roam the fields and it keeps pumping out lots of sweet, delicious milk over the years.
And there’s no question that The Hunger Games and Catching Fire have pumped out lots of milk. A lot of the success is to the credit of how they launched (and invested in) the franchise. And now that the first two films were massive successes, they are confident Mockingjay movies will continue to churn out more milk. The audience will come back for more without much bidding. Now, I don’t think the Mockingjay movies fit exactly in this bucket, because there’s clearly room for growth at the box office internationally. But, from our outside perspective, it seems that they’re investing less TIME at least on promoting Mockingjay as compared to THG or Catching Fire. I’m just praying that they don’t skimp on investment in the actual movie production. Please, please, NO.
For the business, having a cash cow is great. For the cow it’s not necessarily bad either. You get to do your thing and not be bothered so much. Well, until you stop producing milk and are put down.
However, if you’re a “city dweller” with no access to the farm (ALL OF US) it’s a sad situation, so I’m not going to pretend to be happy about Mockingjay’s status. And it’s not to say that in the month or two before the film comes out it won’t be MOCKINGJAY PART 1 EVERYWHERE. I’m sure it will, billboards and ad spot after ad spot. That’s just the necessity of movie marketing. It’s a shame that promotion has become so bare-bones in the meantime, because all the build up and the promotion is a huge part of the fun for mega-fans like us.
So in the meantime, we rely on awesome, talented fans to continue to do the promotion. Like this amazingly edited fan-made Mockingjay Part 1 trailer.
Thank you to the talented fans who keep the fun alive while we CONTINUE TO WAIT.
As the filming of Mockingjay Part 2 winds down, there’s a lot of fan emotion swirling about online. Of the “IT’S ALMOST OVER AND I CAN’T” variety. And true, once they stop filming there will be no more chances of paparazzi or fan set pics. And whatever they ended up filming will be IT (notwithstanding any reshoots). But I’m not really feeling the sadness right now, probably because there’s another year and a half to go before any of us can see the last movie, and because they’ve just barely started promoting Mockingjay Part 1. No, my feelings are the mainly the continued angst of “I WANT A DAMN TEASER TRAILER.”
But I understand the anxiety that comes with the knowledge that they’ve already filmed most everything, so that’s it, that’s the movie. And what if it doesn’t include the stuff that I want to see and then I am sad forever? Nina Jacobson took pity on a fan (and in a larger sense, all of us) with a tweet this week about the ending and whether we will see the epilogue/Katniss and Peeta’s kids.
@cursed_n_jinxed don’t worry
— nina jacobson (@ninajacobson) May 21, 2014
So I suppose that we can take that to mean that yes, the epilogue and those kiddos will be a part of the movie. I think it would be a massive mistake to leave it out. Knowing that Katniss is still utterly haunted by her experiences as a teenager yet has been able to forge a life and family with Peeta is critically important. The filmmakers are smart people. I’m sure they understand this. Why are we so worried that they would leave it out?
The amount of anxiety about whether this would be included in the movie is interesting. I think it comes from some of the failings of the first movie of building Katniss and Peeta’s relationship (the badly executed tossing-of-the-bread scene, the truncated cave scenes, cutting away to Gale during the cave kiss, the last few scenes in the arena, Peeta not losing his leg). Choices had to be made, and they hurt the development of Katniss and Peeta’s relationship and their overall character development.
A lot of ground was made up in Catching Fire. Somehow the filmmakers were able to take a huge amount of plot and new characters and fit everything that we really wanted and needed in 2.5 hours. And even where things were shifted or altered, there seemed to be a desire to retain fan-favorite lines or moments. So you have “Stay With Me.” “Always” occurring on the train because most of the post-Victory Tour District 12 scenes were cut. Fine, at least you found a way to include it that made sense for the characters. Wrongs were righted. And it was good.
So with the same filmmakers on board for both Mockingjay movies as Catching Fire, we should have a level of comfort that, yes, they get it and they are on the same page with us. All will be well. They won’t pull some major change at the end and leave us all wondering why we went on this ride with them for years just to be burned at the end.
So thank you Nina, for telling us not to worry. We trust you to make it absolutely perfect.
But until we see it, we’re all still going to worry.
What’s in store for Mockingjay Part 1 at the Cannes Film Festival?
Last year for Catching Fire, Lionsgate held a super swanky party and screened some footage for international distributors. There were some nice photos of the cast and Francis Lawrence all dressed up. And the photos released from the party were very cool. Cannes is a film industry event, for film industry people, so it didn’t mean much for us fans beyond some pretty pictures. (And they were great pictures!)
This year looks to be no different. A few weeks ago there was a rumor that a teaser trailer would debut at Cannes, which was quickly denied by Lionsgate. But there will definitely be film business-y stuff going down at Cannes. And we’ve got a big ol’ billboard that went up a few days ago to prove it.
So my hunch is that Lionsgate will likely follow the Catching Fire playbook at Cannes again this year. Screen some footage for the distributors, shake some hands, sign some deals, smile for the cameras and party down.
But as a fan, I’m not going to despair about the no-teaser-at-Cannes-thing. Because 2 weeks from now, X-Men: Days of Future Past comes out in theaters. If one of those conspiracy theories was correct, and Fox had some contractual block against Lionsgate promoting Mockingjay Part 1 (or using Jennifer Lawrence’s image), that will be over after the film comes out. And then finally, it will be PROMOTION TIME.
Or, what I’m guessing is more likely that that maybe there will be a teaser trailer shown with X-Men? It’s going to be a HUGE movie, its STARS JENNIFER LAWRENCE, and IT’S DAMN TIME FOR A TEASER TRAILER. It is the perfect fit for MJ1. And if a teaser goes with X-Men, it’s not just going to be dropped out of nowhere to surprise opening night audiences. There’s going to be lead up to it. So it’s soon. It has to be so soon. SOON.
If it doesn’t happen then I’m going to be scratching my head so hard I’ll make a bald spot. Lionsgate, I really don’t want a bald spot.
So get ready friends.
What am I talking about? WE ARE ALL SO PAST READY! Bring it.
Date check time – tomorrow is the first day of April! Maybe a month where we actually get news about a Mockingjay movie!?! Tomorrow is also April Fools’ Day, an annoying day where you can TRUST NO ONE. So I’m going to hate that. But maybe, after April Fools’ Day we can get some Mockingjay news? I’m dying here.But enough of my desperate begging, did you also know that tomorrow is the first day of Lions Gate Entertainment Corp’s fiscal year? Yep, I was so bored with the lack of Mockingjay news, I spent some time on their investor relations site. Their year closes today, and then the auditors come in to check that the money was counted right. The annual report, or 10-K, won’t come out until late May but it did spur me to check in to see where the final totals for Catching Fire ended up. You may have heard a few months ago that Catching Fire surpassed Iron Man 3 to be the number one US domestic grossing film of 2013, which is especially impressive when you realize the film was only released in 2D and IMAX, not those extra 3D formats that bump up total receipts. But it raked in even a few more million after surpassing Iron Man 3.
Here are the stats per BoxOfficeMojo.com
Domestic – $424,645,577
Foreign – $439,897,616
Total – $864,543,193
That’s a whole lot of money. I doubted that Catching Fire would surpass The Hunger Games’s domestic gross (just because THG’s success was so very massive). Though I did see Catching Fire in theaters 7 times compared to The Hunger Games 4 times, so maybe a few other fans like me did the same thing and ca-ching ca-ching. Happy days.
I had higher expectations for Catching Fire’s foreign take however, especially with all the extra emphasis on international markets (the parties at Cannes, more international premieres, etc). The more or less 50/50 split domestic/foreign is increasingly rare for blockbuster movies. More and more blockbusters make 2/3 of their total box office overseas. Though Catching Fire still made $157 million more internationally than it did with The Hunger Games (and improved from a 60/40 domestic/international spit). $157 million is basically an entire hit movie’s US box office in itself, so it’s huge growth. But I bet there will be a continued focus on getting the rest of the world watching so that the Mockingjay movies are even stronger internationally, and of course, keeping US audiences energized so they can try and top the success of Catching Fire.
Now that the new fiscal year has started let’s start spending some of that marketing budget on Mockingjay Part 1!
Ah, the media! Every now and then, there’s a kernel of real depth and knowledge in there, but not nearly as often as you think. (Unfortunately, I realized this mid-way through a Journalism degree, so on top of no longer wanting to work for the media, I’m in massive debt!) Mostly, it’s about getting people to pay attention to what you’re saying and make them think it’s important, even though it’s usually not. This is especially true of entertainment media.
So let us repeat a sentiment we’ve stated before. One more time with feeling!
There is no real fandom war between The Hunger Games and Divergent. Or between The Hunger Games and any other franchise, for that matter. Quit drinking the media wars Kool-aid. Seriously.
Them There Eyes already covered that EW pulled a seriously dick move by trying to deflate The Hunger Games series to up Divergent. Surely, other media sites have done it as well. Entertainment Weekly, especially, has stock in the success of the Divergent series. Note that they have stock in the success of THG as well, but it’s already a proven success so they don’t have to coddle it anymore, just cover it. Hence the clueless “Katniss is from District 9 and Victors are reaped in every Quarter Quell” review Catching Fire got. Successful fandom-centric franchises are huge readership draws. And Lionsgate? They don’t care which one you like better because they are both owned by Lionsgate. Though it should be noted that a lot of THG fan outrage is hypocrisy, given that most people seem perfectly okay with people deflating Divergent in favor of The Hunger Games. It shouldn’t be either way.
Of course, The Hunger Games/Divergent media wars have the desired effect. Everyone has preferences. We rush into the conversation to pick a side. Fans run out to say “I think Series A is better and anyone who thinks Series B is better is an idiot!” and vice versa.
Even we sip the Kool-aid a bit without realizing it. Them There Eyes was quick to call the movie mediocre based solely off critical reviews. When someone commented on one media post about how Mockingjay was awful and Allegiant was great, I was quick to respond with the inverse opinion. And I REALLY LIKE BOTH FRANCHISES. Not in love with the last Divergent book, but I still like both on the whole. Plus, we believe everyone should read and decide for themselves.
People like what they like. Some like The Hunger Games. Some like Divergent. Many, many people like both. And that’s fine! Don’t let the media make you think otherwise! Critics are not gods. While they make valid observations about film now and again, they’re often self-important jackwads. A movie isn’t good or bad or special or fun because a conglomerate of cynics tells you so. Seriously, that takes all the fun out of moviegoing. If you’ve ever had to stop asking a friend to go to the movies because they shot down everything you suggest based on critics, you know. So don’t let them push you around, m’kay?
This is not a war and nobody needs to pick sides. When the next potential franchise comes out, the media will do the same damn thing because people will STILL get hyped up over it. IGNORE THEEEEEMMMM. Have your preferences, have your personal tastes, but cutting down someone else’s fandom just to up yours, whether you’re Owen Gleiberman or just some random person on Tumblr, just makes you look like a petty ass.
Again: The Kool-Aid. STOP DRINKING IT.
WE JUST LIKE LIKING THINGS!
The Girl With The Pearl
It’s been another week of no Mockingjay news. My patience is really wearing thin and I want to delay becoming too whiny about it. So in the interest of improving my mood, and the composure of all my fellow suffering Hunger Games fans, here are some suggestions for how to kill time during this news drought.
1) Watch Catching Fire… with a laser focus. Watch it one time just focusing on Jennifer’s performance. And then praise the heavens that we got her as Katniss. Then do it again for other actor. Watch once just focusing on costume design, or on the score, or the editing. You’ll get an added appreciation for the movie. And at 2.5 hours a pop, that’s a nice chunk of time.
2) Watch Catching Fire… with a drink. So many drinking game options. Drink every time someone says Peeta. Drink every time the Mockingjay symbol appears or the word is said. Just maybe keep them to small sips (and be of legal age of course).
3) Re-read Mockingjay. We’re probably due for another read through. I appreciate Mockingjay more with every reading. And you can be the hero of knowing all the places Cressida is mentioned in the book. Every minute detail of District 13. Think of new theories of how they are adapting it to the screen. Where are they cutting the two movies? You have the luxury of time to consider all these things with another reading of the book.
4) Watch things that the Mockingjay team have worked on. Have you seen Game Change yet? It’s a political drama based on the 2008 US election written by MJ screenplay writer Danny Strong and stars Julianne Moore and Woody Harrelson. Freaky. Or you could watch Buffy The Vampire Slayer (tv show), Gilmore Girls, or Mad Men and see Danny Strong acting. More freaky, and three of my favorite tv shows of all time.
5) Read some fan fiction. There’s a lot of Hunger Games fan fiction out there. And yeah, it’s not all primo stuff, but there are some talented writers in the fandom. Canon, AU, whatever you want, it’s probably there for the reading.
6) Write some fan fiction. Even with the huge amount of HG fic, can you believe that there doesn’t seem to be anything set in the Scandal Universe? Which is a shame because, come on! You could set it up as Katniss=Olivia, Gale= Fitz, Peeta=Jake, Haymitch=Cyrus, Coin=Sally, Snow= Olivia’s dad. There is so much potential for trippy fun here. (I should explain that I consider Olivia/Jake endgame. I know, how scandalous, but I want it because Scott Foley is everything).
7) Read through the archives of Victor’s Village. There’s loads of stuff here. Years of stuff to reminisce about. Or at least enough to give you a chuckle or two while we CONTINUE. TO. WAIT.
8) Umm. Help me out. If you have other ideas please bring ‘em on.
Sure, you could also spend the time enjoying other interests, but nah, that’s stupid.
This post actually comes after a request! Carrie emailed us to see what we thought of The Capitol’s perception of Peeta, which is a damn good question. She also said she didn’t feel comfortable writing a post because she’s not “a Hunger Games scholar” (implying that we are, which is both adorable and HILARIOUS).
Let’s start off by saying this: There is noooooo easy answer. Capitol views of Peeta are both positive and negative, depending on the time and the circumstances and the people involved.
In the beginning, it’s easy for everyone in the Capitol to love Peeta. He’s sweet, quick-witted, and appears to be a hopeless romantic. The star-crossed lovers routine he masterminded is insanely popular, so even Snow and the Gamemakers appreciate him. There’s a temporary usefulness they see in him, because citizens would be saddened by his death, but they weren’t going to turn around and overrun the games because of it. His death probably wouldn’t have even caused a Rue-like uprising, just a collective “Oh, that’s a bummer!” He’s a convenient element of the show. That is, until the berries. The Capitol audiences love him even more– What a special ending! What romance! What showmanship!– but Snow certainly ain’t drinking that kool-aid!
Peeta takes part in that berries ploy, too, but it wasn’t his idea. He’s got Snow’s attention just as much as Katniss, but he’s not seen as the threat. Snow sees straight through both Katniss and Peeta’s different intentions, sees Peeta’s genuine affection for Katniss and his almost comfortable life in District 12 that he probably doesn’t want to lose, and thinks “How can I use this?” Note that Peeta isn’t the one Snow needs to threaten into compliance before the Victory Tour.
We’ve said before that Peeta has a gift for words, but Katniss has a gift for action. Great speakers have really positive effects on people. The Capitol wants to live vicariously through his words. They want to understand him. They want to believe in what he has to say. But action really gets attention. While the Capitol is really fond of Peeta, it’s the “DAMN! Did you just see that?! I LOVE HER!” response to Katniss Everdeen that really catches their attention and poses a threat to Snow. Words can be reshaped and spun in ways bold actions cannot. Though Peeta causes some trouble with his public speaking engagements in Catching Fire, stirring the districts into uprising and getting Capitol audiences to finally take some issue with The Quarter Quell, it’s nothing that can’t be contained. In fact, his speeches are ultimately what saves his life.
Snow knows that The Capitol still has a very favorable opinion of the star-crossed lovers from District 12 after the clock arena’s destruction. With the acquisition of Peeta, Snow can leverage Peeta’s feelings for Katniss and loyalty to others involved in The Rebellion to get what he wants. Peeta is forced to spin the story in The Capitol’s favor in propaganda across Panem, talking about how Katniss has been brainwashed and Rebellion is not worth it. Snow gets comfortable in the concept that Peeta would never become a threat. He’s more of a puppet. Of course, we know Snow is wrong for two reasons:
1) Peeta does what Snow says, but only after being ruthlessly beaten. He makes his shaken state obvious throughout his segments, giving audiences the subtle message that all is not as it seems.
2) When he realizes that Snow is out to kill the others no matter what he does, Peeta busts open his plan on national television to save the lives of the people in District 13. His thanks is a good ol’ hijacking.
Snow and The Capitol continuously underestimate Peeta. They think he’s the weak link and maybe, at first, he is softer than Katniss. What they don’t count on is the different kind of strength he possesses. He stands up to the Capitol in systematical ways that convince people that the government is deceptive without putting on a big show. He recovers from a brainwashing most people never do because he’s got some serious mental fortitude. And even in the end, when Katniss Everdeen has been labeled a deeply disturbed byproduct of war, the truth of Peeta Mellark’s troubles remains mostly under wraps and it’s likely Panem audiences are still quite smitten with him.
Snow never even saw it coming.
Essentially, Peeta Wins The “Most Popular” Superlative In The Capitol Yearbook,
The Girl With The Pearl